documentation of the interactive part of the installation light space modulator at neue nationalgalerie in berlin.
a musical motion tracking system created with max/msp, jitter and max for live. [1]

True Value (paint fukette) – kinetic sound installation by David Ellis with composition by Roberto Carlos Lange. Presented by Joshua Liner Gallery, PULSE contemporary art fair, IMPULSE section, New York, March 2011.

Flicker is an immersive electronic environment of generative image and sound. A collaborative work with Oliver Bown. Based on biological models of firefly behaviour, Flicker generates an ever shifting rhythmic, meditative environment to the viewer.
Flicker uses 4 channels of synchronised high definition video and 8 channels of sound to immerse the viewer in a phenomenologically [...]

Instrument for Unsent Letters is a sound installation that addresses issues concerning the convergence of privacy, social networking and space awareness. Unsent letters from strangers are collected through a blog where people write entries dedicated to someone in an anonymous way. They are then published in the form of audio clips as part [...]

Installation by Kathy Hinde and Maja Ratkje shown at Arnolfini, Bristol, UK, 27th March 2010.
Kathy Hinde has animated delicate origami Cranes using small motors. They fly to a soundtrack by Norwegian composer Maja Ratkje. The speed of their flight, and the intensity of the overlaying crane sounds is controlled by data that represents their annual [...]

Pond Life III: Following on from our success with Pond Life II, we plan to create a new version of the work, developing the themes and technologies of the piece further. Pond Life is a generative audiovisual laboratory that encourages audience exploration and participation. Pond Life II has been exhibited in Montreal (ICMC 2010) and [...]

Laser installation “Enlightenment” – the second project of SYN group created specially for an exhibition within the limits of PinchukArtCenter Prize. The closing room of 4-th floor of the art-center, equipped by system of volumetric sound Dolby surround 5.1, was filled by 30 minutes track by composer Zavoloka – synthesis of a voice and breath [...]

The core of the work is a looped 4-channels electronic music track, entirely produced using a single impulse (mathematically a Dirac delta, also called “click” or “glitch”) as the only source for the whole piece. The click has been processed exclusively with reverberation and filters in Csound. The Csound opcode used to generate the click [...]