Flicker is an immersive electronic environment of generative image and sound. A collaborative work with Oliver Bown. Based on biological models of firefly behaviour, Flicker generates an ever shifting rhythmic, meditative environment to the viewer.
Flicker uses 4 channels of synchronised high definition video and 8 channels of sound to immerse the viewer in a phenomenologically rich environment of artificial life.

This video shows a computer generated simulation of the final work. [1]

More work by Jon McCormack.

Instrument for Unsent Letters is a sound installation that addresses issues concerning the convergence of privacy, social networking and space awareness. Unsent letters from strangers are collected through a blog where people write entries dedicated to someone in an anonymous way. They are then published in the form of audio clips as part of the installation. The strumming of five string instruments, by servomotors, controls the play back of the narrations. A typewriter acts as an interface each of its keys is connected to a switch that triggers the movement of the motors. [1]

Installation by Kathy Hinde and Maja Ratkje shown at Arnolfini, Bristol, UK, 27th March 2010.
Kathy Hinde has animated delicate origami Cranes using small motors. They fly to a soundtrack by Norwegian composer Maja Ratkje. The speed of their flight, and the intensity of the overlaying crane sounds is controlled by data that represents their annual migration cycle. Video images shine onto the paper birds to create a super-imposed shadow animation. First shown on a Faster Than Sound residency, Snape, UK, 20th March 2010. MaxMSP programming by Matthew Olden. With thanks to Peter Holden and Snape RSPB volunteers for information on Cranes and migration routes. [1]