BeatMe is a solo performance with video projection, sound and double bass.
The video/sound/Text is handled with Max/MSP, triggered by a midi-foot switch, giving the control of what is happening while playing the music.

Thinking about the relation of music and moving images gave me the idea of bending the codes of composition for visuals and music [...]

An interactive audiovisual feedback loop forms the basis of All Hail the Dawn. The instrument contains two simple light-sensitive oscillators. A crude spectral analysis in Max/MSP is used to filter the oscillators as well as looped buffers recorded from the instrument. A matrix of the spectral analysis, interactively altered in Jitter using audio data, is [...]

realtime generated with Max/MSP/Jitter. point tracking prepared with syntheyes. sound track from “Invisible Landscape …” music: mergrim visuals: Masato Tsutsui. [1]

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documentation of the interactive part of the installation light space modulator at neue nationalgalerie in berlin.
a musical motion tracking system created with max/msp, jitter and max for live. [1]

The third in a series of case studies exploring parameter mapping techniques between granular synthesis and particle systems. The primary aim of the video was to establish the success of opaque mappings between particle and granular synthesis systems. Particle behaviour was controlled using the same input data as the previous studies. The resultant visual parameters [...]

flute by Ann Adachi. electronic processing in Max/MSP/Jitter by Nick Lesley [1]

Apparently, that’s all we need to know!

Given sufficient time, oxygen, and water, any iron mass eventually converts entirely to rust and disintegrates.
-Wikipedia

The sound was created using Supercollider, Max/MSP and Pro Tools. The video was shot on a Sanyo HD camcorder, processed in Jitter, and edited in Final Cut Pro. [1]

More Nathan Wheeler.

From the CD/DVD ‘Splitzo’, a collaboration between the Cortisol Quintet and video artist Mark Linnane. This video features content created using a modified version of the ‘Verlets’ Jitter patch by Andrew Benson. This project is funded by the Arts Council of Ireland. [1]