Flags of a Dead Ship explores the nature of the electric guitar and it’s use alongside digital technology. It also attempts to wrestle the electric guitar away from the aesthetics of rock music and as a sound source for various sonic processes.

The piece separates the acoustic sound of the instrument from the amplified sound of [...]

BeatMe is a solo performance with video projection, sound and double bass.
The video/sound/Text is handled with Max/MSP, triggered by a midi-foot switch, giving the control of what is happening while playing the music.

Thinking about the relation of music and moving images gave me the idea of bending the codes of composition for visuals and music [...]

An interactive audiovisual feedback loop forms the basis of All Hail the Dawn. The instrument contains two simple light-sensitive oscillators. A crude spectral analysis in Max/MSP is used to filter the oscillators as well as looped buffers recorded from the instrument. A matrix of the spectral analysis, interactively altered in Jitter using audio data, is [...]

Performed by Robert Hoit in the IV Festival de Musica Contemporanae in April 2011. This piece uses MAX/MSP to perform a series of loops of differing lengths. In the performance there were several minor problems. [1]

The Bends Collective was born out of a 10 week project in early 2011 as part of the Sound Design MSc at The University of Edinburgh.

The project focussed on circuit bending, and hardware hacking. The group learned how to modify various electronic devices ranging from cheap kids toys to a Nintendo Entertainment System. With their [...]

Performance by Caitlin Cassidy – Mezzo-Soprano and Decibel (cat hope – fl/a.fl, lindsay vickery cl/b.cl, tristen parr – vcl, stuart james – kbd and malcolm riddoch – MAX/MSP). photos lisa businovski. Live recording from the back of the hall at the Perth Institute for Contemporary Arts (remixed by Malcolm Riddoch).

realtime generated with Max/MSP/Jitter. point tracking prepared with syntheyes. sound track from “Invisible Landscape …” music: mergrim visuals: Masato Tsutsui. [1]

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documentation of the interactive part of the installation light space modulator at neue nationalgalerie in berlin.
a musical motion tracking system created with max/msp, jitter and max for live. [1]